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AJA Video Systems
AJA Video Systems Celebrates 25 Years of Professional Video Systems

AJA Video Systems Celebrates 25 Years of Professional Video Systems

John Abt started AJA Video Systems with his wife Darlene in 1993 to develop simple digital parallel to serial and serial to parallel converters. Many of AJA’s products at their core continue to bridge connectivity and simplify pro video workflows through video up, down, cross format conversion. A great read that you will find at Film and Digital Times.

Editorial, Feature, People / Interview, Business
Film and Digital Times
TV & Movie Appreciation
VFX Legion Completes Effects for SUPERFLY Remake

VFX Legion Completes Effects for SUPERFLY Remake

Producer Joel Silver and Director X called on VFX Legion to tackle 100+ shots designed to amp up the impact of the raw violence in Sony’s reboot of the iconic ‘70’s film. The reboot of ‘Superfly’ puts a modern, stylish spin on the original 1972 film about a Harlem drug dealer trying to score one last deal before getting out of ‘the game.’ Set in present-day Atlanta, the Mecca of today’s popping music scene, the action is driven by a hip-hop soundtrack curated by Future. The city’s distinctive style is the backdrop for a new generation of affluent, extravagant drug kingpins that takes violence to the extreme.

Editorial, Feature, Project
VFX Legion
Christina Rzewucki: Thor: Ragnarok, Tomb Raider & more

Christina Rzewucki: Thor: Ragnarok, Tomb Raider & more

Christina Rzewucki is a Texture and Look Development Artist at Rising Sun Pictures. A 2016 graduate of the Academy of Interactive Entertainment in Adelaide, she began her career with the game company Monkeystack. Since joining RSP in 2017, she has applied her diverse technical and creative skills to projects including the blockbusters Thor: Ragnarok and Tomb Raider. Next month, she will be teaching the texturing component of ‘Look Development and Lighting,’ a new second year elective course associated with UniSA’s Media Arts degree.

Editorial, Feature, People / Interview
Risingsun Pictures
VR Filmwork: Immersive Begins to Emerge ... Slowly

VR Filmwork: Immersive Begins to Emerge ... Slowly

Want to see a storage person's heart skip a beat ... or two? Flutter even? Just mention VR and BAM!, they get real excited. Some people think we like 360/VR just because it devours so much storage capacity. Ok that's a good reason but still the good VR stuff is really really good. Not just scare your pants off good but good to experience, enjoy, be immersively entertained, informed.

Editorial, Feature
Andy Marken
TV & Movie Appreciation
Star Wars: How Much Is Too Much?

Star Wars: How Much Is Too Much?

When Disney announced that they would be making a new Star Wars movie every year for at least 10 years I was both excited and a bit skeptical. In 2012 when Lucas sold his company to Disney for $4billion, he included his outlines of Episodes VII, VIII and IX. But Disney and Co. decided to discard these stories and start over, also discarding the extended universe of comics and books that millions of SW fans had grown to love. Adding JJ Abrams to the mix was icing on the cake for SW fans who have become critical of SW. But Lawrence Kasdan was the saving grace, who wrote a script for VII that the original actors could get behind. So, how much Star Wars is too much?

Review, Editorial, Feature
Mike Cohen
Broadcasting
Westdoc Online interview with National Geographic Channel's VP of Development, Charlie Parsons

Westdoc Online interview with National Geographic Channel's VP of Development, Charlie Parsons

Charlie Parsons is Vice President of Development for the National Geographic Channel, responsible for developing new projects, discovering new talent and serving as one of the network’s main points of contact for the global production community. Since joining the Channel in 2010, Parsons has developed popular series “Doomsday Preppers”, “Inside Combat Rescue”, “Mars” and “One Strange Rock”, as well as the global natural history event “Earth Live”. He developed the Emmy Award winning Special “Space Dive”,as well as the Emmy Award winning feature doc “LA 92”. He also served as an Executive Producer on the network’s most watched program in history, the Emmy nominated three-hour movie event “Killing Jesus”, as well as the second and third most watched programs, “Killing Kennedy”??"also Emmy nominated for Outstanding Television Movie??"and “Killing Lincoln”, respectively.

Editorial, Feature, People / Interview
Chuck Braverman
NAB Show
The Introvert's Guide to the NAB Show, by Kylee Peña

The Introvert's Guide to the NAB Show, by Kylee Peña

If you're like most people in video production, you're a bit of an introvert, which can make trade shows a challenge. Shyness is real, and social anxiety is its own thing to be managed carefully, but are you selling yourself short before you give yourself a chance to achieve your goals? Creative COW Managing Editor Kylee Peña offers practical steps to help even the shyest creatives make the most of NAB.

Editorial, Feature, People / Interview
Kylee Peña
Preparing to Edit the PyeongChang Winter Games, Pt 2

Preparing to Edit the PyeongChang Winter Games, Pt 2

Growing up, Kylee Peña says that she was always glued to the Summer or Winter Olympics. And as a young and ambitious video nerd, she wondered what went into the incredible number of visual stories being told. Between pre-cut packages and live footage and montages put together with moments that had happened seconds ago, she couldn’t fathom what went into the teams who created this media. But for the next few weeks, her friend Mike Api is in PyeongChang, South Korea, where he’s working as a freelance editor on the Olympics for NBC. Having been through the Olympics editorial experience before ??" the Summer Games in Rio two years ago ??" he knows he has a lot of interesting stories to tell us while he’s working.

Editorial, Feature, People / Interview
Kylee Pena
Preparing to Edit the PyeongChang Winter Games, Pt 1

Preparing to Edit the PyeongChang Winter Games, Pt 1

Growing up, Kylee Peña says that she was always glued to the Summer or Winter Olympics. And as a young and ambitious video nerd, she wondered what went into the incredible number of visual stories being told. Between pre-cut packages and live footage and montages put together with moments that had happened seconds ago, she couldn’t fathom what went into the teams who created this media. But for the next few weeks, her friend Mike Api is in PyeongChang, South Korea, where he’s working as a freelance editor on the Olympics for NBC. Having been through the Olympics editorial experience before ??" the Summer Games in Rio two years ago ??" he knows he has a lot of interesting stories to tell us while he’s working.

Editorial, Feature, People / Interview
Kylee Peña
Audio Professionals
2018 MPSE Award Winner John Fasal on His Passion for Sound

2018 MPSE Award Winner John Fasal on His Passion for Sound

On February 18th, the Motion Picture Sound Editors will present John Paul Fasal with its annual Career Achievement award at the 65th MPSE Golden Reel Awards. Fasal has worked in sound for more than 30 years as a sound designer and field recordist. His many credits span features, television and games, including such titles as Top Gun, Master and Commander: The Far Side of the World, Interstellar, The Dark Knight, American Sniper and this year’s box office hits Dunkirk and Coco. Fasal recently spoke with the MPSE about his career and the art of sound.

Editorial, Feature, People / Interview
Creative COW
TV & Movie Appreciation
The Long Road Home with Seth Reed

The Long Road Home with Seth Reed

Seth Reed is the Emmy®-nominated production designer for the National Geographic miniseries The Long Road Home. Seth joins Go Creative Show host Ben Consoli to discuss the challenges and benefits of shooting at Fort Hood in Texas and how he created the biggest standing set in North America.

Editorial, Feature, People / Interview
Ben Consoli
DaVinci Resolve
Fairlight + Resolve, Part 1: The DAWn of a Resolved Era

Fairlight + Resolve, Part 1: The DAWn of a Resolved Era

Marco Solorio of OneRiver Media gives an introductory overview to the rebirth of the Fairlight digital audio workstation (DAW) that is now part of Blackmagic Design’s powerful DaVinci Resolve post-production system. Is this finally the solution to break away from the Pro Tools stronghold?

Review, Editorial, Feature
Marco Solorio
RED Camera
Guardians of the Galaxy Vol 2: Behind the Scenes with RED

Guardians of the Galaxy Vol 2: Behind the Scenes with RED

Anticipation for Guardians of the Galaxy Vol. 2 was already heated up when director James Gunn announced that it was to be the first feature film captured with the RED WEAPON camera using an 8K RED DRAGON VV sensor. In this marvelous behind the scenes featurette courtesy RED Digital Cinema, James discusses the decision to use the RED WEAPON, and how it played out with director of photography Henry Braham, BSC. Both of them found the combination of the massive sensor and small form factor incredibly compelling, providing them the technology to capture the epic scale of the action, in a package small enough to allow them to get exceptionally close to the scenes of genuine intimacy that are this series' secret weapon. (See what we did there?)

Editorial, Feature
Tim Wilson
The Evolution of Immersive Media

The Evolution of Immersive Media

Immersive media is not new. Emerging technologies, such as VR and AR as we currently know them, are simply part of an evolutionary path making media more immersive. Many commentators and industry professionals became cynical after the short life-cycle of Stereoscopic 3D, and are hesitant to embrace VR, calling it another fad. International award-winning engineer, editor, colorist, VFX artist, stereoscopic 3D artist, and Head of Operations at Auckland's Department of Post, Katie Hinsen sees it differently. These technologies are simply steps within a much wider ecosystem, says Katie, where it's the combination of failures and successes that lead us towards what immersive media is to become.

Editorial, Feature
Katie Hinsen
NAB Show
NAB Show Guide to Thriving (instead of just surviving)

NAB Show Guide to Thriving (instead of just surviving)

Creative COW Contributing Editor Kylee Peña is here to take you beyond comfy shoes and protein bars, as she reveals the secrets of not just getting through a brutal week, but actually thriving in what might just be a pivotal experience for your career, and maybe even some friendships.

Editorial, Feature
Kylee Peña
Oliver Peters interviews editor Tom Cross of La La Land

Oliver Peters interviews editor Tom Cross of La La Land

The ambitious opening sequence of La La Land was done with just three cuts, according to the film's editor, Tom Cross. Oliver Peters brings you the story of this and many other aspects of editing this remarkable film.

Editorial, Feature, People / Interview
Creative COW
Videoguys Top 10 Products of 2016

Videoguys Top 10 Products of 2016

As we look back at 2016, we reflect on a year that involved media consumption -- and more specifically LIVE media consumption. Increased bandwidth, improved cameras on mobile phones, and easy access to YouTube LIVE...

Editorial, Feature
Creative COW
The Other Side of GoPro's November 30, 2016 Announcement

The Other Side of GoPro's November 30, 2016 Announcement

When GoPro announced on November 30, 2016 that they would be cutting 200 full-time jobs, closing the entertainment division, and that their president would be leaving the company, the internet came alive with those who were predicting the company's demise. But there really is another side to the story and as is often the case, the loudest voices are not always the ones with the real story. In this article, Creative COW's co-founder, Ronald Lindeboom, looks at GoPro's announcement and gives his thoughts from his point of view. As Lindeboom concludes at the end of the story, "That GoPro stumbled is not surprising to me, what is surprising is that they had such a remarkable unbroken string of success until 2016."

Editorial, Feature, Business
Ronald Lindeboom
Letters to the COW Team
Creative COW's Brand New News Dept. Features and Functions

Creative COW's Brand New News Dept. Features and Functions

Creative COW's co-founders have been quietly at work cleaning up and rebuilding the Creative COW News section. While they've been at work, they've been adding new features and functions that will make the news department much more useful in the days ahead. If it's been a while since you've visited the news section, visit it soon but read this short introduction to what it is and how things are working. We hope these new changes make your research and keeping on top of industry news much more productive.

Editorial, Feature, Business
Ronald Lindeboom
Business & Marketing
12 Things I Know About Business at 55 That I Wish I'd Known at 25

12 Things I Know About Business at 55 That I Wish I'd Known at 25

12 Things I Know About Business at 55 That I Wish Id Known at 25 appeared in Creative COW Magazine and was one of our most popular articles. It is a true timeless classic in which COW leader, contributing editor, and Senior Business Adviser to Creative COW, Nick Griffin shares wisdom he's learned the hard way in over 30 years in business. His experience will help you to avoid mistakes, manage clients, and prepare yourself to achieve your greatest success.

Editorial, Feature, Business
Nick Griffin
RED Camera
Don Burgess aligns with Light Iron and Panavision for ALLIED

Don Burgess aligns with Light Iron and Panavision for ALLIED

Don Burgess, ASC trusts Light Iron. His last seven films can attest, so Burgess chose Light Iron to support him again with digital dailies and post finishing services on Allied. Directed by Robert Zemeckis and starring Brad Pitt and Marion Cotillard, the World War II-set film sees an intelligence officer's romance with a French Resistance fighter tested when high command thinks a double agent might be in play.

Editorial, Feature, People / Interview, Business, Project
COW News
Autodesk Maya
ZERO VFX: The Magic You Won't See In The Magnificent Seven

ZERO VFX: The Magic You Won't See In The Magnificent Seven

ZERO VFX takes Creative COW readers inside the invisible effects used to create the powerful vistas and settings used in The Magnificent Seven. But the real magic is in what you don't see.

Editorial, Feature, People / Interview, Project
ZERO VFX
Art of the Edit
More Than One Path to Success: Senior Editor Mae Manning

More Than One Path to Success: Senior Editor Mae Manning

We talk a lot about things like “accessible tools” and the “democratization of video production” -- what has this meant for the emerging talent whose creative development has taken place largely, or even entirely, within this democratized landscape? Mae Manning is one such editor, who taught herself to edit music videos, and caught the eye of a local production company. Several years later and now their Senior Editor, she cuts corporate and industrial training videos, promotional videos, sketch comedy, short films, and everything else that gets thrown her way. Mae’s story is an inspiration for anyone that thinks there is only one path to success in the industry.

Editorial, Feature, People / Interview
Kylee Peña
Art of the Edit
How To Create Better Live Surgical Broadcasts

How To Create Better Live Surgical Broadcasts

Greg Ondera produces, directs, and edits medical video programs specializing in surgical procedures. From his wide ranging experience in the medical sciences and broadcast arts, Greg shows you how to create better surgical broadcasts.

Editorial, Tutorial, Feature, Business
Greg Ondera
Art of the Edit
Being an Advertising Editor: The Ins & Outs of Agency Work

Being an Advertising Editor: The Ins & Outs of Agency Work

Katie Toomey takes Creative COW members inside the world of the advertising editor, where being a generalist means you are often not only a video editor, but a designer and audio editor, problem solver, as well as tech support professional. Join Katie as she takes you inside her world.

Editorial, Feature, People / Interview
Katie Toomey
Authors

VFX Legion (1)
Mike Cohen (1)
Ben Consoli (1)
Creative COW (5)
ZERO VFX (2)
Nick Griffin (1)
Katie Hinsen (1)
Ronald Lindeboom (2)
Andy Marken (1)
Greg Ondera (1)
Kylee Pena (1)
Risingsun Pictures (1)
Marco Solorio (1)
Katie Toomey (1)
Kylee Peña (4)
Tim Wilson (1)


Other Tutorials

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RE:Vision Effects (46)
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TV & Movie Appreciation (117)
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