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Business & Career Building
How To Succeed in the Business of Video Storytelling

How To Succeed in the Business of Video Storytelling

You may have great storytelling chops, but it doesn’t matter if you can't help your client tell theirs. Nobody knows this better than Rob Shore, who began his filmmaking career in 2005, honing his skills as a creative director with an in-house video team in Washington D.C. before establishing his own video production company, Picture This Productions in 2015. Adobe's Eric Philpott spoke to Rob about the challenges of storytelling when it’s someone else’s story.


Eric Philpott
Adobe Premiere Pro
What Adobe Premiere Pro Is Trying to Tell You About Performance

What Adobe Premiere Pro Is Trying to Tell You About Performance

To an editor/creator, there is nothing more frustrating than a timeline that won’t respond quickly when scrubbing or one that won’t play in real time. Join Adobe's Dave Helmly for an inside look at how their UI designers came up with color and badge indicators on the Timeline to give you that “over the shoulder” view of how Premiere Pro is reading the formats and what kind of performance you should expect.


Dave Helmly
Adobe Premiere Pro
Adobe Live: Build Your Video Skills in Five Daily Challenges, Aug. 17-21

Adobe Live: Build Your Video Skills in Five Daily Challenges, Aug. 17-21

Editing video is a creative task, observes Adobe Senior Product Marketing Manager Eric Philpott. Yet most tutorials skew toward the practical functions of the software, with less emphasis on the art of storytelling itself. Read on to learn how you can raise your creative editing game in five daily challenges hosted online at Adobe Live, happening the week of August 17-21. Hosted by Adobe's Jason Levine, you'll download free assets to help learn the specifics of multicam editing, color grading, repurposing your work for social sharing, and much more, followed by sharing your results online and talking about the process with other editors.


Eric Philpott
Adobe Premiere Pro
How to Choose the Right System for Adobe Premiere Pro and After Effects

How to Choose the Right System for Adobe Premiere Pro and After Effects

"What’s the best system for Premiere Pro and After Effects?" This is a question that any editor or content creator has to go through every few years as technology changes. Dave Helmly is the Head of Strategic Development for Professional Video - Broadcast at Adobe, and gets asked this question almost daily by broadcast IT departments, filmmakers, and YouTubers. Before laying out the answers about the right system for you, Dave lays out the additional questions that you need to ask first.

Editorial
Dave Helmly
Adobe Creative Cloud
Adobe Creative Cloud June 2020 Video and Audio Updates

Adobe Creative Cloud June 2020 Video and Audio Updates

Adobe's Eric Philpott introduces highlights of the June 2020 update of Creative Cloud's video and audio applications, including the new Adobe Stock Audio integrated with Premiere Pro, along with previews Adobe Sensei powered tools such as Roto Brush 2 in After Effects.


Eric Philpott
Adobe Creative Cloud
Turn Yourself Into a Cartoon Character for Your Next Video Call

Turn Yourself Into a Cartoon Character for Your Next Video Call

Virtual backgrounds from your favorite movies and Snapchat filters for Zoom and other web video conferencing platforms are played out, so now what? Have we got the answer for you! Adobe engineer Dan Ramirez takes you step by step through using Adobe Character Animator to turn yourself into a fully lip-synced real time animated cartoon character! You can either build characters yourself or start customizing from Adobe's libraries. It's fast, easy, and fun, with platform-specific instructions for both Mac and Windows.


Adobe Creative Cloud
Adobe Premiere Pro
Adobe Productions: New Collaboration and Productivity for Premiere Pro

Adobe Productions: New Collaboration and Productivity for Premiere Pro

When it was first announced at the Sundance Film Festival in January 2020, the new Productions toolset for Adobe Premiere Pro looked like a dream come true for filmmakers and other visual storytellers who have been looking for next-generation collaboration, including cloud-enabled and remote-friendly workflows. Now that Productions is available starting April 14, Productions is revealed to be every bit as valuable for individual creators who want better organizational tools, greater security, and the ability to share assets including media files across projects with cross-project referencing.


Tim Wilson
Adobe Photoshop
How To Put Yourself In Any Movie with Photoshop: Part 1

How To Put Yourself In Any Movie with Photoshop: Part 1

Filmmaker and artist Cody Pyper shows how to insert yourself or someone else into any movie using Adobe Photoshop. To finish the effect, you'll want to add some compositing, lighting, and perhaps some additional VFX finesse in Premiere Pro or After Effects, but here in Part 1 of his three-part series, Cody lays out how to conceive of the shot you want, how to set it up, and how to get started by building a clean background plate in Photoshop.


Cody Pyper
Adobe After Effects
Adobe After Effects Glitter Text - No Plug-ins Required!

Adobe After Effects Glitter Text - No Plug-ins Required!

Learn how to create a GLITTER TEXT EFFECT in Adobe After Effects without ANY plugins! VFX guru and filmmaker, Surfaced Studio's Tobias G, introduces you to CC Particle World, a powerful particle generator included in After Effects! You can use it to create all sorts of cool particle effects including explosions, smoke, fairy glitter, stars and much more. Along the way, Tobias brings the remarkable breadth of in-depth tips and tricks that will help you raise the level of your own AE expertise for every kind of creative task.


Tobias G
Adobe After Effects
After Effects Advanced Content-Aware Fill With Photoshop

After Effects Advanced Content-Aware Fill With Photoshop

In part three of his series on Adobe After Effects Content Aware Fill, filmmaker and After Effects artist Cody Pyper takes his deepest dive yet! Following requests from viewers in the series so far, Cody takes a closer look at how Adobe Photoshop can help you remove unwanted objects from your video footage in After Effects.


Cody Pyper
Adobe After Effects
Best Results with After Effects Content-Aware Fill: Reference Frames

Best Results with After Effects Content-Aware Fill: Reference Frames

Join filmmaker and After Effects artist Cody Pyper for a deep dive into how to get the absolute best results using the Content-Aware Fill tool in After Effects. Locked-down shots with simple backgrounds are one thing, but Cody shows the details of how to get fantastic results with complicated backgrounds and a moving camera using reference frames.


Cody Pyper
Art of the Edit
Unearthing Apollo 11 in Large Format: An Interview with Director Todd Douglas Miller

Unearthing Apollo 11 in Large Format: An Interview with Director Todd Douglas Miller

Director-Editor Todd Douglas Miller creates more than just another space documentary with his film Apollo 11. He has helped expand the horizons of what we thought we knew about one of humankind's signature achievements by unearthing nearly 300 reels of previously unseen large-format film, up to 65 and 70mm, digitized with a first-of-its-kind 8K scanner, along with 11,000 hours of previously unheard audio recordings to provide previously only-imagined perspectives on our first mission to the moon. Creative COW's Courtney Lewis reveals how he put it all together with NASA, the National Archives, post house Final Frame, and tools from Adobe.


Courtney Lewis
Adobe Creative Cloud
Five Fundamentals of Marketing and Managing Your Stock Video Business

Five Fundamentals of Marketing and Managing Your Stock Video Business

If you’re anything like most content creators, the confusion over the best way to manage and market your stock video business has kept you from getting started. Join video producer and entrepreneur Rod Harlan for a look at the five fundamentals of managing and marketing your stock video business.


Rod Harlan
Business & Career Building
Four Secrets to Stock Video Sales Success

Four Secrets to Stock Video Sales Success

A successful stock video sales business, even if only part-time, relies heavily on the old adage, “practice makes perfect”. It’s a continual process of improving what you capture, how you capture it, and then how you market your stock video sales. Here are four strategies you can use to increase your sales.


Rod Harlan
Adobe Creative Cloud
Building A Stock Video Business: Monetizing Life's B-Roll

Building A Stock Video Business: Monetizing Life's B-Roll

If your line of work involves videography in one way or another, there are ways to make the most of your next gig. Here are a few things you should keep in mind when you start shooting video that could translate to earned extra cash. Doing these things from the get go will keep your extra footage on par with the video commonly featured on stock video sites like Adobe Stock.


Rod Harlan
Adobe After Effects
Adobe After Effects Reverse Stabilization

Adobe After Effects Reverse Stabilization

You're going to be blown away by how you can power up your After Effects workflow with reverse stabilizing your footage! By separating your tracking from your compositing, you can focus on each step, and in addition, overcome the render order complexities when match moving elements and effects on a moving shot.


Roei Tzoref
Adobe After Effects
After Effects Content Aware Fill: When It Doesn't  Work

After Effects Content Aware Fill: When It Doesn't Work

There’s a new artificial intelligence-powered feature in Adobe After Effects called Content-Aware Fill that allows you to remove anything from your shots fairly easily! It's powerful, but if you’ve tried it you know that it doesn’t always work perfectly. So what do you do when it doesn’t work as well as you'd hoped? Filmmaker Cody Pyper is here to show what to try next!


Cody Pyper
Adobe Premiere Pro
Speed Ramps & Smooth Slow Motion in Adobe Premiere Pro

Speed Ramps & Smooth Slow Motion in Adobe Premiere Pro

Here's everything you need to know to get complete control over the speed of your footage in Adobe Premiere Pro! Join VFX guru Tobias G for a look at the Rate Stretch Tool, Premiere's Speed/Duration settings, Time Remapping, and more!


Tobias G
Adobe Creative Cloud
Adobe and That Cup on Game of Thrones

Adobe and That Cup on Game of Thrones

Many things were shocking about Season 8 Episode 4 of Game of Thrones (Don’t worry, no spoilers here!), but the one shock to rule them all was that quick cameo of a contemporary drink cup next to the dragon queen herself. A quick tweak with Adobe's new Content Aware Fill for Adobe After Effects, later, and well, we won't spoil the outcome for you!


Hillary Lewis
Adobe After Effects
VFX in Adobe After Effects: An Artists Panel (NAB)

VFX in Adobe After Effects: An Artists Panel (NAB)

Join panelists Andrew Kramer of Video Copilot, Jayse Hansen, and Mary Poplin of Boris FX, along with moderator, Victoria Nece of Adobe, as they discuss the world of visual effects from an artist’s perspective.


Adobe Creative Cloud
Adobe After Effects
Compositing Secrets Everyone Can Use, Pt 5: Brightness

Compositing Secrets Everyone Can Use, Pt 5: Brightness

The first challenge to understanding the nature of brightness in compositing starts with remembering that we're not actually seeing color at all, but rather something of an illusion that appears to us as color! Join longtime VFX artist, editor, software developer, and business owner Simon Ubsdell for Part 5 of the best look behind the technology of compositing that you've ever seen, as he takes a look at the math behind brightness, and how to apply that to the compositing toolsets in your favorite editing, compositing, and color grading applications.

Tutorial
Simon Ubsdell
Adobe Audition
Adobe Audition: Shorten A Music Track with Remix

Adobe Audition: Shorten A Music Track with Remix

Ready to have your mind blown? See how easy it is to create remixes of music files using Adobe Sensei’s machine learning. You can take a song that has a longer duration than needed for your Premiere Pro project, and using Dynamic Link, send your entire sequence to Audition to create a shorter version, as well as emphasizing different musical elements in the original mix to create something unique, simply, in a highly customizable way.

Tutorial
Adobe Creative Cloud
Adobe After Effects
60 Second Tutorial: Alien Invasion in Adobe After Effects

60 Second Tutorial: Alien Invasion in Adobe After Effects

Here's a fast, fun one! Sixty seconds to create and animate an alien using the 3D and Track Camera tools to animate your character in Adobe After Effects. Use the included files, or bring your own!

Tutorial
Adobe Creative Cloud
Adobe Creative Cloud
Creating Adobe Motion Graphics Templates for Profit

Creating Adobe Motion Graphics Templates for Profit

Adobe Motion Graphics templates can be created in either After Effects or Premiere Pro. Using them in your own work, or in teams with clients, allows you to create a still or animation that can then be customized across multiple projects, but you can also sell them through Adobe Stock. Learn more about how to create another profit center from your work!


Rod Harlan
Adobe Creative Cloud
Increase Productivity with Adobe Motion Graphics Templates

Increase Productivity with Adobe Motion Graphics Templates

Motion Graphic Templates created in either Adobe Premiere Pro or Adobe After Effects are a great way to work with clients. They help you keep a consistent look and feel while protecting your project from inadvertent changes as it passes through different hands. Here are the steps you can take to share work across teams and organizations, quickly and powerfully.

Feature
Rod Harlan
Series


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Tobias Gleissenberger (3)
Adobe (2)
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Tobias G (2)
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Courtney Lewis (1)
Hillary Lewis (3)
Eric Philpott (3)
Mary Poplin (1)
Cody Pyper (4)
Roei Tzoref (1)
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Kylee Peña (5)
Tim Wilson (1)


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